– On the Srimad Bhagavatam: Tenth Canto/Chapter 35.
– On the Yugala Gita spoken by Sukadeva Gosvami Pada to Parikisit Maharaja.
– The five songs of the Srimad Bhagavatam: Venu-gita, Pranaya-gita, Gopi-gita, Yugala-gita, and Bhramara-gita.
– On the purva-raga of the gopis, the mood that expresses the longing for the encounter between the hero and the heroine.
– Beautiful description by Srimati Radhika in response to Lalita about Krsna.
– On the beauty of Krsna’s name.
– Krsna manifests Himself in a constantly renewed way, and the type of raga He awakens is one of profound attraction.
– On the three meanings of anuraga.
– On the purva-raga described in the Yugala-gita that occurs before the encounter.
– Purva-raga of the Venu-gita, mood before the encounter.
– On the anarthas (imperfections) that appear after performing sadhana and bhajana but which, through the practice of sadhana itself, will disappear.
– On needing to recognize all the different types of anarthas.
– Story of a fisherman who spent a night in a very beautiful and aromatic garden.
– On needing to know the meaning of kirtana songs.
– On the eight moods of Srimati Radhika.
– On the natural and inherent prema of the gopis, who feel a strong attraction to Krsna (anuraga).
– Description of the different flutes of Krsna.
– On criticism, and the reasons for not criticizing or glorifying anyone.
– On the Pranaya-gita, where the gopis express their mood to Krsna.
– Krsna appears in the assembly of the gopis and answers the nine questions they ask.
