Arcana, worship, is part of vidhi-marga, the path of rules and regulations, but it is also what makes raga-marga, the path of spontaneous devotion, possible.
The moods implicit in the glorification Gaura Arati, by Srila Bhaktivinoda Thakura.
Meaning of the five strands of ghee offered in Arati, panca-maha-dipika (Gaudiya Gitti-Gucca) and the meaning of the Mangala Arati song, Vivabhari sesa (nisanta-lila).
Mahaprabhu’s mood when dancing in front of Lord Jagannatha’s chariot in the Ratha Yatra.
The Sri Bhajana Rahasya grantha is a recommended reading as it contains the entire Upadesamrta, Manah Siksa and the Siksastakam.
Only greed leads to Vaikuntha, but this added to samskaras (past impressions) can lead to Goloka Vrndavana.
Atma-samarpana, prayers to surrender to Srimati Radhika (Ex: Sad Gosvami Astakam).
The Six Gosvamis are manjaris, siddhas who play the role of sadhakas to teach us in this material world.
Verse: sevā sādhaka-rūpeṇa siddha-rūpeṇa cātra hi (Bhakti-rasāmṛta-sindhu, 1.2.295)
Song: Kothāya Go Premamayi Rādhe Rādhe, by Srila Gaura Kisora Dasa Babaji Maharaja.
The difference between sadhana and bhajana.
Everyone must practise according to their qualifications, never pretend.
